15 March 2011
06 May 2010
Political Poem
Ten Years in the City
My glorious colleagues, especially Tiffany Kriner and David Hooker, threw the finest party I have ever attended on Tues. night. A house full of art, amazing food, and fine people it was a farewell bash for my final week at Wheaton College
Dubbed an "Ekphrastic Celebration" it truly was a conversation of art with art. Even the food conversed with various poems, including a fig tart that responded to a fig tree poem I wrote a number of years back, as well as a lovely tableau of bread and pottery that referred to a poem about Caravaggio's Supper at EmmausA requisite reference to sweater vests occurred in these dainty finger sandwiches.
Friend and colleague Brett Foster wrote a lovely, funny, generous vilanelle, which he read movingly after I had been given the gift of my friends' generous attentions as I read poems. The poems I read including one or two from each year I was at Wheaton, 9 years. Several have asked for me to put those pieces somewhere. This seems like a fitting spot. Some are links, others I have posted whole. Not each poem is, in my judgment, the best, but each one represents a significant kind of encounter with my colleagues, with students, and with the subjects that have marked my time at Wheaton.
2001
Explaining the Nude Scene
Silence, 11 September 2001
2002
After Bach's Air in G, Transcribed for Flute
Reasons to Avoid the Woods (After Reading the Inferno, Again)
2003
A Selfish Sonnet of Thanksgiving
Four Ways to Read a Footnote (Poem grew from a challenge given to me by former colleague Keith Jones whome I miss very much.)
2004
Inerrancy (after Jorie Graham)
Bach’s Pentecostal Fugue for Electric Organ, Choir, and Tambourine
2005
Confessions (Remembering a trip to Baylor with Steve and Christina)
2006
Sestina for Bach’s Mama
Political Poem
2007
So Here's the Thing (responding to Mark Lewis' brilliant all-female production of Hamlet)
The Devil Wears a Sweater Vest
2008
After David Hooker David made many, many beautiful cups for this gathering, and each one of us got to take one home.
Meeting the Relatively Famous Songwriter/Pop Star at Lunch
2009
Several Heads
The Pacifist Boxer Enters the Gym
2010
Agnosis of the Order of the Djembe, after Kazim Ali
Thanks to Christine and Stephanie for documenting the party. More photos to come.
Dubbed an "Ekphrastic Celebration" it truly was a conversation of art with art. Even the food conversed with various poems, including a fig tart that responded to a fig tree poem I wrote a number of years back, as well as a lovely tableau of bread and pottery that referred to a poem about Caravaggio's Supper at EmmausA requisite reference to sweater vests occurred in these dainty finger sandwiches.
Friend and colleague Brett Foster wrote a lovely, funny, generous vilanelle, which he read movingly after I had been given the gift of my friends' generous attentions as I read poems. The poems I read including one or two from each year I was at Wheaton, 9 years. Several have asked for me to put those pieces somewhere. This seems like a fitting spot. Some are links, others I have posted whole. Not each poem is, in my judgment, the best, but each one represents a significant kind of encounter with my colleagues, with students, and with the subjects that have marked my time at Wheaton.
2001
Explaining the Nude Scene
Silence, 11 September 2001
2002
After Bach's Air in G, Transcribed for Flute
Reasons to Avoid the Woods (After Reading the Inferno, Again)
2003
A Selfish Sonnet of Thanksgiving
Four Ways to Read a Footnote (Poem grew from a challenge given to me by former colleague Keith Jones whome I miss very much.)
2004
Inerrancy (after Jorie Graham)
Bach’s Pentecostal Fugue for Electric Organ, Choir, and Tambourine
2005
Confessions (Remembering a trip to Baylor with Steve and Christina)
2006
Sestina for Bach’s Mama
Political Poem
2007
So Here's the Thing (responding to Mark Lewis' brilliant all-female production of Hamlet)
The Devil Wears a Sweater Vest
2008
After David Hooker David made many, many beautiful cups for this gathering, and each one of us got to take one home.
Meeting the Relatively Famous Songwriter/Pop Star at Lunch
2009
Several Heads
The Pacifist Boxer Enters the Gym
2010
Agnosis of the Order of the Djembe, after Kazim Ali
Thanks to Christine and Stephanie for documenting the party. More photos to come.
14 March 2010
Allusive Poems
Translations IV
The Three Graces Unite and After Myth
Four Ways to Read a Footnote
Pathetique, after John Ruskin
The Three Graces Unite and After Myth
Four Ways to Read a Footnote
Pathetique, after John Ruskin
Blind Willie's Wife
Broke bottlenecks for him, told him, tune to open D,
told him, Willie quit growling that gruff, fake bass,
let your sweet tenor take off and ride.
She would harmonize, then break him another
bottleneck , grind it down quick on a cement stair,
leave little glints of glass dust on his shoes.
She knew his hands, way he thumbed the bass line,
knew his voice and how he couldn't keep from crying,
how, together, they'd give over to gospel,
slide right up the string, Lord, right up the string,
smooth as Willie's finger in a bit of broken glass.
—David Wright, from A Liturgy for Stones
Blind Willie Johnson
told him, Willie quit growling that gruff, fake bass,
let your sweet tenor take off and ride.
She would harmonize, then break him another
bottleneck , grind it down quick on a cement stair,
leave little glints of glass dust on his shoes.
She knew his hands, way he thumbed the bass line,
knew his voice and how he couldn't keep from crying,
how, together, they'd give over to gospel,
slide right up the string, Lord, right up the string,
smooth as Willie's finger in a bit of broken glass.
—David Wright, from A Liturgy for Stones
Blind Willie Johnson
Watching Ella Trips in Her Seventies
You can believe when Ella trips,
moving on stage, she'll never get up,
this old woman with her broken hip,
her arm crooked like the handle of a cup.
Moving on stage, she'll never get up
to the top of her range again. Again,
her arm crooked like the handle of a cup,
she arcs her neck, eyes closed, no strain
to the top of her range again, again,
beyond, within this body she has left.
She arcs her neck, eyes closed, no strain
and here's the songbook she's kept
beyond, within this body she has left.
She mimics Bird, and you think of his death,
and here's the songbook she's kept,
phrases like bursts of her own breath.
She mimics Bird, and you think of his death,
This old woman and her broken, hip
phrases like bursts of her own breath.
You can believe, when Ella trips.
David Wright, originally published in The Mid-America Poetry Review. 5.2. 151
Essays
Consider the Toilets of the Field
A Capella
In the Temple of the Lark
Traveling at Home (some short essays from Smile Politely)
A Few Worries about Being a Poet
My Father's Shirt
My Mother's Lists
Reading Spiritual Memoir: A Reader's Spiritual Memoir (pdf)
A Capella
In the Temple of the Lark
Traveling at Home (some short essays from Smile Politely)
A Few Worries about Being a Poet
My Father's Shirt
My Mother's Lists
Reading Spiritual Memoir: A Reader's Spiritual Memoir (pdf)
Scholarly Work, Reviews and Interviews
Scholarship
Modernism and Region: Illinois Poetry and the Modern
Community, Theology and Mennonite Poetics in the Work of Jeff Gundy
The Beloved, Ambivalent Community: Mennonite Poets and the Postmodern Church
Interviews
Assembling Community: A Conversation with Carolyn Forche
Interview with Steve Burt
Interview with Julia Kasdorf
Reviews
Illinois Voices: An Anthology of Twentieth Century Poetry
Scott Cairns, Philokalia
Dan Guillory's The Lincoln Poems (pdf)
Wendell Berry's Life is a Miracle
In the Middle of the Middle West
Patricia Jabbeh Wesley's Becoming Ebony
Jon Kilroy's Torque
Modernism and Region: Illinois Poetry and the Modern
Community, Theology and Mennonite Poetics in the Work of Jeff Gundy
The Beloved, Ambivalent Community: Mennonite Poets and the Postmodern Church
Interviews
Assembling Community: A Conversation with Carolyn Forche
Interview with Steve Burt
Interview with Julia Kasdorf
Reviews
Illinois Voices: An Anthology of Twentieth Century Poetry
Scott Cairns, Philokalia
Dan Guillory's The Lincoln Poems (pdf)
Wendell Berry's Life is a Miracle
In the Middle of the Middle West
Patricia Jabbeh Wesley's Becoming Ebony
Jon Kilroy's Torque
Labels:
Carolyn Forche,
Illinois poety,
Jeff Gundy,
Julia Kasdorf,
modernism,
Stephen Burt
Writing in Place
Looking at Roadside Bluestem Before Leaving Decatur
Addison Street (audio version)
Suburan Art (audio version)
For John
A Famous Artist Was Born on this Street
American Gothic, Redux
Wild Bird Feeder
Along Weaver Creek
Prairie Grass Elegy
Labels:
American Gothic,
bluestem,
Decatur Illinois,
John Knoepfle,
regionalism
Selections from A Liturgy for Stones
Like Trees Planted by Streams of Water
Altar Piece
Old Women in Eliot Poems
Blind Willie's Wife
Veni, Sancte, Spiritus and Electric Glossolalia
Sunday Afternoon in the Universe
For John
Children's Sermon and My Friend at Firestone Asks about Poems
Poems Should Not Be (click through archives to Aug 2001)
Gammal Fäbodpsalm
Looking at Roadside Bluestem Before Leaving Decatur
Church Janitor
A Map of the Kingdom and Lydia's Song
A Selfish Sonnet of Thanksgiving
Silence, September 11
After the Signing of this Sunday's Scripture
Suburan Art (audio version)
Purchase a copy of A Liturgy for Stones
Review of A Liturgy for Stones
Another review of LFS
Theological, Midrash and Liturgical Poems
Consider the Wonders We Call and Fail to Call God
Veni, Sancte, Spiritus
After Solving the Gadarene Swine, the Freudian Hermeneuts Attend to the Fig Tree
Confession II: The Collect
Confession VII: Silent Readings
A Map of the Kingdom and Lydia's Song
After the Signing of This Sunday's Scriptures
Children's Sermon
Holy Saturday, 1998
Missionary Slides
Four Ways to Read a Footnote
The Pastor Disappears Among the Meek
The Pastor Details His Hunch
Veni, Sancte, Spiritus
After Solving the Gadarene Swine, the Freudian Hermeneuts Attend to the Fig Tree
Confession II: The Collect
Confession VII: Silent Readings
A Map of the Kingdom and Lydia's Song
After the Signing of This Sunday's Scriptures
Children's Sermon
Holy Saturday, 1998
Missionary Slides
Four Ways to Read a Footnote
The Pastor Disappears Among the Meek
The Pastor Details His Hunch
Ekphrastic Poems
Two Suppers at Emmaus
Before You Read the Plaque about Turner's Slave Ship
Plague of Ladybugs, Plague of the Suburbs
A Famous Artist Was Born on this Street
Before You Read the Plaque about Turner's Slave Ship
Plague of Ladybugs, Plague of the Suburbs
A Famous Artist Was Born on this Street
Musical Ekphrastics
Blind Willie's Wife
Beethoven's Romance in G
Bach Poems
Five Sarabandes
Beethoven's Romance in G
Bach Poems
Five Sarabandes
Paul Plays a Bouree
Bach and the Mandolin Boys Meet Herr Goldberg
Bach Wedding Cantata Discovered in Japan
The Naked Cellist
Prayer and Fugue for Two Hands, in Ordinary Time
John Campbell's illustration of Bach's Invention for First Grader, Wax Paper, and Comb
Bach and the Mandolin Boys Meet Herr Goldberg
Bach Wedding Cantata Discovered in Japan
The Naked Cellist
Prayer and Fugue for Two Hands, in Ordinary Time
John Campbell's illustration of Bach's Invention for First Grader, Wax Paper, and Comb
Labels:
Beethoven,
blind willie johnson,
blues,
J. S. Bach,
music poems
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